Continuing the plot of the previous film, Frodo, Sam and Gollum are making their final way toward Mount Doom in Mordor in order to destroy the One Ring, unaware of Gollum's true intentions, while Merry, Pippin, Gandalf, Aragorn, Legolas, Gimli and the rest are joining forces together against Sauron and his legions in Minas Tirith.
The Return of the King was financed and distributed by American studio New Line Cinema, but filmed and edited entirely in Jackson's native New Zealand, concurrently with the other two parts of the trilogy. It premiered on 1 December 2003 at the Embassy Theatre in Wellington, and was then released on 17 December 2003 in the United States and on 18 December 2003 in New Zealand. The film was acclaimed by both critics and audiences, who considered it to be a landmark in filmmaking and the fantasy film genre, with praise for the visual effects, performances, action sequences, direction, screenplay, musical score, costume design and emotional depth. It grossed over $1.1 billion worldwide, making it the highest-grossing film of 2003 and the second highest-grossing film of all time at the time of its release, as well as the highest-grossing film released by New Line Cinema.[5]
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Frodo, who carries the Ring, and Sam continue their journey towards Mordor, unaware that Gollum, now their guide, plans to betray them and take the Ring for himself. The trio witness the Witch-king of Angmar, lord of the nine Nazgûl, setting off towards Gondor with his army of Orcs. Gollum conspires to frame Sam for eating food supplies and desiring the Ring; influenced by the growing power of the Ring, Frodo is taken in by the deception, and orders Sam to go home. Gollum then tricks Frodo into venturing into the lair of the giant spider Shelob. Frodo narrowly escapes and confronts Gollum, who falls down a chasm after a scuffle. Shelob discovers, paralyzes, and binds Frodo, but is wounded and driven away by a returning Sam, who, mourning Frodo's apparent death, takes the Ring. Sam realizes his mistake when a group of Orcs takes Frodo captive, but manages to rescue Frodo as the Orcs fight among themselves. Now inside Mordor, the hobbits continue towards Mount Doom, their destination.
Théoden arrives and leads his army against the Orcs. Despite initial success against Orcs in the ensuing battle, they are decimated by the Oliphaunt-riding Haradrim and the Witch-king mortally wounds Théoden; however, his niece Éowyn slays the Witch-king with Merry's help. Théoden dies in his niece's arms. Aragorn then arrives with his Army of the Dead, who overcome Sauron's forces. Legolas slays a Mûmakil and its guards, which Gimli denounces for "That still only counts as one!" and the battle is won. Their oath fulfilled, the Dead are released from their curse. Aragorn decides to march on Mordor to distract Sauron from Frodo, now extremely weak, and Sam; all of Sauron's remaining forces march to meet Aragorn's diversion, allowing the hobbits to reach Mount Doom. Gollum, who survived his earlier fall, attacks them, but Frodo still manages to enter the mountain. There, he succumbs to the Ring's power, putting it on his finger, but Gollum manages to bite off his finger and reclaim it. They struggle together and both fall off the ledge. Frodo clings to it with one hand as remorse and guilt flood his mind in the wake of his succumbing to the ring, when Sam's unwavering faith and belief in his friend convinces him to make one final reach for Sam's hand, saving Frodo's life. Gollum falls and dies; the Ring, which fell with him, disintegrates in the lava, causing Barad-dûr to crumble as The Eye of Sauron explodes, destroying the dark lord once and for all. Aragorn's army emerges victorious as its enemies and the lands of Mordor collapse into the earth, and Mount Doom erupts, with Frodo and Sam narrowly escaping the lava.
The film altered the circumstances of Théoden's death; his death speech, in which he names Éomer the new king in the book, is trimmed and delivered to Éowyn instead of Merry, with an earlier scene in the Extended Edition even implying that Éowyn is next in line for the throne. Théoden's rallying speech ("To death!") before the initial charge in the film is spoken by Éomer in the book when he believes that both Théoden and Éowyn have been killed in combat with the Witch King.[14]
The city of Minas Tirith, glimpsed briefly in both the previous two films, is seen fully in this film, and with it the Gondorian civilization. The enormous soundstage was built at Dry Creek Quarry, outside Wellington, from the Helm's Deep set. That set's gate became Minas Tirith's second, while the Hornburg exterior became that of the Extended Edition's scene where Gandalf confronts the Witch-king. New structures included the 8m tall Gate, with broken and unbroken versions, with a working opening and closing mechanism, with its engravings inspired by the Baptistry of San Giovanni. There were also four levels of streets with heraldic motifs for every house, as inspired by Siena.[21]
The Citadel's exterior was in the Stone Street Studios backlot, using forced perspective. It contained the withered White Tree, built from polystyrene by Brian Massey and the Greens Department with real branches, influenced by ancient and gnarled Lebanese olive trees. The interior was within a three-storey former factory in Wellington, its colours influenced by Charlemagne's Chapel, with a throne for Denethor carved from stone, and polystyrene statues of past kings. The Gondorian armour is designed to represent an evolution from the Númenóreans of the first film's prologue, with a simplified sea bird motif. 16th-century Italian and German armour served as inspiration,[22] while civilians wear silver and blacks as designed by Ngila Dickson, continuing an ancient/medieval Mediterranean Basin look.[23]
There was also the new character of Gothmog. This was a major new design addition for the film, as Jackson felt the Mordor Orcs were "pathetic" compared to the Uruk-hai of the second film after watching assembly cuts, and thus Weta Workshop created grotesque new "über Orcs" as antagonists for the audience to focus on. Christian Rivers also redesigned the Witch-king and all of his scenes were re-shot, because of confusion from non-readers over whether or not Sauron was on the battlefield.[22]
Post-production began in November 2002, with the completion of the 4 hour assembly cut of the film that Annie Collins had been completing over 2001 and 2002, from 4-hour dailies. For example, Théoden leading the charge went from 150 minutes of takes to a finished 90 seconds.[36] Jackson reunited with longtime collaborator Jamie Selkirk to edit the final film. Like The Two Towers, they would have to deal with multiple storylines, and Jackson paid attention to each storyline at a time before deciding where to intercut. Most importantly they spent three weeks working on the last 45 minutes of the film,[34] for appropriate intercutting and leaving out scenes such as the Mouth of Sauron, and the fates of characters like Legolas, Gimli, Éowyn and Faramir.[14] The film inherited scenes originally planned to go into the second film, including the reforging of Narsil, Gollum's backstory, and Saruman's exit. But the Saruman scene posed a structural problem: killing off the second film's villain when the plot has Sauron as the main villain.[34] Despite pick-ups and dubs, the scene was cut, causing controversy with fans and Saruman actor Christopher Lee, as well as a petition to restore the scene.[37] Lee nonetheless contributed to the DVDs and was at the Copenhagen premiere, although he said he would never understand the reason for the cut and his relationship with Jackson was chilly.[38] They would, however, later reconcile upon Lee's casting in Jackson's Hobbit films. Jackson only had a lock on 5 out of 10 reels, and had to churn out 3 reels in 3 weeks to help finish the film. It was finally completed on 12 November 2003.[39] Jackson never had a chance to view the film in full due to the hectic schedule, and only saw the film from beginning to end on 1 December at the Wellington premiere; according to Elijah Wood, his response was "yup, it's good, pretty good".[35]
The Return of the King contains 1,489 visual effect shots, nearly three times the number from the first film and almost twice that of the second. As with the two previous films, Jim Rygiel served as the visual effects supervisor. Visual effects work began with Alan Lee and Mark Lewis compositing various photographs of New Zealand landscape to create the digital arena of the Pelennor Fields in November 2002. Jackson and Christian Rivers used computers to plan the enormous battle up until February 2003, when the shots were shown to Weta Digital. To their astonishment, 60 planned shots had gone up to 250, and 50,000 characters were now 200,000.[40] Nevertheless, they pressed on, soon delivering 100 shots a week, 20 a day, and as the deadline neared within the last two months, often working until 2 am.[39]
Like the previous films, there are also extensive morphs between digital doubles for the actors. This time, there was Sam falling off Shelob, where the morph takes place as Astin hits the ground. Legolas attacking a mûmak required numerous transitions to and fro, and Gollum's shots of him having recovered the One Ring and falling into the Crack of Doom were fully animated.[40] For the latter scene, as well as the scene in which Mount Doom erupts and Frodo and Sam escape from the volcano, the help of the company Next Limit Technologies and their software RealFlow was required to simulate the lava. The King of the Dead is played by an actor in prosthetics, and his head occasionally morphs to a more skull-like digital version, depending on the character's mood. The Mouth of Sauron also had his mouth enlarged 200% for unsettling effect.[21]
Renée Fleming, Ben Del Maestro, Sissel Kyrkjebø and James Galway also contribute to the soundtrack as featured soloists. Fleming sings as Arwen has a vision of her son and when Gollum recovers the One Ring. Del Maestro sings when Gandalf lights his staff to save fleeing Gondorian soldiers from Osgiliath as the Nazgûl attack and as the eagles arrive at the Black Gates. Galway plays the flute and whistle as Frodo and Sam climb Mount Doom and as they return to the shire. Sissel sings "Asea Aranion", which was originally meant to score the Houses of Healing scene. The end title song, "Into the West", was composed by Shore with lyrics by Fran Walsh. Annie Lennox (formerly of Eurythmics) performed it and also received songwriting credit. The song was partially inspired by the premature death from cancer of a young New Zealand filmmaker named Cameron Duncan who had befriended Peter Jackson.[33] 2ff7e9595c
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